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Kushan Dynasty, Kanishka I&nbsp;(127-140 CE),&nbsp;Gold Dinar, &quot;Athsho&quot;(God of Metal and Fire) type,&nbsp;Mint Balkh?,&nbsp;Obv:&nbsp;the diademed king standing facing the left, holding a spear and ankush,&nbsp;sacrificing over an altar on the left field, with flames on his right shoulder, the Bactrian legend &quot;&THORN;AONANO&THORN;AO KA-NH&THORN;KI KO&THORN;ANO&quot; &quot;Shaonashao Kanishki Koshano&quot; (King of Kings&nbsp;Kanishka the Kushan)&nbsp;around the field,&nbsp;Rev:&nbsp;Athsho,&nbsp;robed, standing facing left, holding diadem in extended right hand, his left hand resting akimbo and holding a sword hilt,&nbsp;a tamgha on the left field, the Bactrian legend&nbsp;&ldquo;&alpha;&Theta;&THORN;O&rdquo;&nbsp; (Athsho)&nbsp;on the right field, a&nbsp;dotted border around the field,&nbsp;7.18g, 18.77mm,&nbsp; (Gobl # 33),&nbsp;almost complete details on both the sides with dotted border, about extremely fine,&nbsp;Extremely Rare.

Note: The god Athsho, or Athosho, appears to derive from the Zoroastrian deity &#39;Atar&#39;, the son of Ahura Mazda. Athsho is the personification of holy fire, indicated by the flames about his head and shoulders. Associated with A&scaron;a-Vahi&scaron;ta, the personification of truth or righteousness, who appears as Ashaeixsho on Huvishka coins, the figure of Atar has been employed historically&nbsp;for royal fires. Though Athsho was recognized in Iran as a deity that accepted or rejected souls in heaven, he was most closely linked with Hephaistos in Western Mithraism. A blacksmith&#39;s hammer and tongs, symbols of Hephaistos, were also used for lighting the holy fire. As a result, they are also associated with Athsho. Likewise, Pahlavi&#39;s commentary on the Ata&scaron;nyayi&scaron; (Sacred Books of the East XXIII:360, note 6) notes the further connection between these two gods in that, like Hephaistos, Athsho &quot;bodily is infirm; spiritually he is a warrior.&quot;

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